Books published by publisher Atlantic Monthly Press

From longtime Rolling Stone contributing editor and journalist Randall Sullivan, The Curse of Oak Island explores the curious history of Oak Island and the generations of individuals who have tried and failed to unlock its secrets. In 1795, a teenager discovered a mysterious circular depression in the ground on Oak Island, in Nova Scotia, Canada, and ignited rumors of buried treasure. Early excavators uncovered a clay-lined shaft containing layers of soil interspersed with wooden platforms, but when they reached a depth of ninety feet, water poured into the shaft and made further digging impossible. Since then the mystery of Oak Island’s “Money Pit” has enthralled generations of treasure hunters, including a Boston insurance salesman whose obsession ruined him; young Franklin Delano Roosevelt; and film star Errol Flynn. Perplexing discoveries have ignited explorers’ imaginations: a flat stone inscribed in code; a flood tunnel draining from a man-made beach; a torn scrap of parchment; stone markers forming a huge cross. Swaths of the island were bulldozed looking for answers; excavation attempts have claimed two lives. Theories abound as to what’s hidden on Oak Island―pirates’ treasure, Marie Antoinette’s lost jewels, the Holy Grail, proof that Sir Francis Bacon was the true author of Shakespeare’s plays―yet to this day, the Money Pit remains an enigma. The Curse of Oak Island is a fascinating account of the strange, rich history of the island and the intrepid treasure hunters who have driven themselves to financial ruin, psychotic breakdowns, and even death in pursuit of answers. And as Michigan brothers Marty and Rick Lagina become the latest to attempt to solve the mystery, as documented on the History Channel’s television show The Curse of Oak Island, Sullivan takes readers along to follow their quest firsthand.

An “astonishing” book of poetry from the Pulitzer Prize–winning author of American Primitive and “one of our very best poets” (Stephen Dobyns, The New York Times Book Review). Dream Work, a collection of forty-five poems, follows Mary Oliver’s Pulitzer Prize-winning poetry volume American Primitive. The deep perceptual awareness on display in that collection is all the more radiant and steadfast here. With this new collection, Oliver has turned her attention to the solitary and difficult labors of the spirit–to accepting the truth about one’s personal world, and to valuing the triumphs while transcending the fail­ures of human relationships. Oliver brings grace and empathy to the painful legacies of history, whether by way of inheritance–as in her poem about the Holocaust–-or through a glimpse into the realities of present–as in her poem about an injured boy begging in the streets of Indonesia. And yet, Oliver’s willingness to find light, humanity, and joy continues, deepened by self-awareness, by experience, and by choice.

The New York Times–bestselling author of Unto Us a Son Is Given continues “one of the most exquisite and subtle detective series ever” (The Washington Post). When a dying hospice patient gasps that her husband was murdered over “bad money,” Commissario Brunetti softly promises he and his colleague, Claudia Griffoni, will look into what initially appears to be a private family tragedy. They discover that the man had worked in the field, collecting samples of contamination for a company that measures the cleanliness of Venice’s water supply, and that he had recently died in a mysterious motorcycle accident. Piecing together the tangled threads, Brunetti comes to realize the perilous meaning in the woman’s accusation and the threat it reveals to the health of the entire region. But justice in this case proves to be ambiguous, as Brunetti is reminded it can be when he reads Aeschylus’s classic play The Eumenides. Praise for Donna Leon’s Commissario Brunetti Mysteries “[Leon] has never become perfunctory, never failed to give us vivid portraits of people and of Venice, never lost her fine, disillusioned indignation.” —Ursula K. LeGuin, author of Dancing at the Edge of the World “You become so wrapped up in these compelling characters. . . . Each one is better than the last.” —Louise Erdrich, winner of the National Book Award for Fiction “Leon’s Venetian mysteries never disappoint, calling up the romantic sights and sounds of La Serenissima even as they acquaint us with the practical matters that concern the city’s residents.” —The New York Times Book Review “The sophisticated but still moral Brunetti, with his love of food and his loving family, proves a worthy custodian of timeless values and verities.” —The Wall Street Journal

D-Day, June 6, 1944, and the seventy-six days of bitter fighting in Normandy that followed the Allied landing, have become the defining episode of World War II in the west―the object of books, films, television series, and documentaries. Yet as familiar as it is, as James Holland makes clear in his definitive history, many parts of the OVERLORD campaign, as it was known, are still shrouded in myth and assumed knowledge. Drawing freshly on widespread archives and on the testimonies of eye-witnesses, Holland relates the extraordinary planning that made Allied victory in France possible; indeed, the story of how hundreds of thousands of men, and mountains of materiel, were transported across the English Channel, is as dramatic a human achievement as any battlefield exploit. The brutal landings on the five beaches and subsequent battles across the plains and through the lanes and hedgerows of Normandy―a campaign that, in terms of daily casualties, was worse than any in World War I―come vividly to life in conferences where the strategic decisions of Eisenhower, Rommel, Montgomery, and other commanders were made, and through the memories of paratrooper Lieutenant Dick Winters of Easy Company, British corporal and tanker Reg Spittles, Thunderbolt pilot Archie Maltbie, German ordnance officer Hans Heinze, French resistance leader Robert Leblanc, and many others. For both sides, the challenges were enormous. The Allies confronted a disciplined German army stretched to its limit, which nonetheless caused tactics to be adjusted on the fly. Ultimately ingenuity, determination, and immense materiel strength―delivered with operational brilliance―made the difference. A stirring narrative by a pre-eminent historian, Normandy ‘44 offers important new perspective on one of history’s most dramatic military engagements and is an invaluable addition to the literature of war.

From the New York Times bestselling author of Unto Us a Son is Given, comes one of her most dark and thrilling mysteries yet. A woman’s cryptic dying words in a Venetian hospice lead Guido Brunetti to uncover a threat to the entire region in Donna Leon’s haunting twenty-ninth Brunetti novel. When Dottoressa Donato calls the Questura to report that a dying patient at the hospice Fatebenefratelli wants to speak to the police, Commissario Guido Brunetti and his colleague, Claudia Griffoni, waste no time in responding.“They killed him. It was bad money. I told him no,” Benedetta Toso gasps the words about her recently-deceased husband, Vittorio Fadalto. Even though he is not sure she can hear him Brunetti softly promises he and Griffoni will look into what initially appears to be a private family tragedy. They discover that Fadalto worked in the field collecting samples of contamination for a company that measures the cleanliness of Venice’s water supply and that he had died in a mysterious motorcycle accident. Distracted briefly by Vice Questore Patta’s obsession with youth crime in Venice, Brunetti is bolstered once more by the remarkable research skills of Patta’s secretary, Signora Elettra Zorzi. Piecing together the tangled threads, in time Brunetti comes to realize the perilous meaning in the woman’s accusation and the threat it reveals to the health of the entire region. But justice in this case proves to be ambiguous, as Brunetti is reminded it can be when, seeking solace, he reads Aeschylus’s classic play The Eumenides. As she has done so often through her memorable characters and storytelling skill, Donna Leon once again engages our sensibilities as to the differences between guilt and responsibility.

“Bad behavior makes for entertaining history” in this bold history of Europe, the Middle East, and the men who ruled them in the early sixteenth century (Kirkus Reviews). John Julius Norwich—“the very model of a popular historian”—is acclaimed for his distinctive ability to weave together a fascinating narrative through vivid detail, colorful anecdotes, and captivating characters. Here, he explores four leaders—Henry VIII, Francis I, Charles V, and Suleiman—who led their countries during the Renaissance (The Wall Street Journal). Francis I of France was the personification of the Renaissance, and a highly influential patron of the arts and education. Henry VIII, who was not expected to inherit the throne but embraced the role with gusto, broke with the Roman Catholic Church and appointed himself head of the Church of England. Charles V was the most powerful man of the time, and unanimously elected Holy Roman Emperor. And Suleiman the Magnificent—who stood apart as a Muslim—brought the Ottoman Empire to its apogee of political, military, and economic power. These men collectively shaped the culture, religion, and politics of their respective domains. With remarkable erudition, John Julius Norwich offers “an important history, masterfully written,” indelibly depicting four dynamic characters and how their incredible achievements—and obsessions with one another—changed Europe forever (The Washington Times).

The New York Times bestseller: “Venice shines through the pages of this novel. . . . Coupled with unexpected twists and turns [it] doesn’t disappoint” (Tulsa Book Review). A Los Angeles Times Bestseller • A Library Journal Mystery Bestseller • A Booklist Best Crime Novel of the Year • A Crime Reads Most Anticipated Book of the Year Guido Brunetti is urged by his father-in-law to investigate—and preferably intervene in—the seemingly innocent plan of the elderly Gonzalo Rodríguez de Tejeda to adopt a much younger man as his son. Under Italian inheritance laws, this man would then be heir to Gonzalo’s entire fortune, a prospect Gonzalo’s friends find appalling. For his part, Brunetti wonders why the old man, a close family friend, can’t be allowed his pleasure in peace. And yet, what seems innocent on the Venetian surface can cause tsunamis below. Gonzalo unexpectedly drops dead on the street, and one of his friends—who just arrived in Venice for the memorial service—is strangled in her hotel room. Now with an urgent case to solve, Brunetti reluctantly untangles the long-hidden mystery in Gonzalo’s life that has ultimately led to murder . . . a resolution that brings him more pain than satisfaction. “Like Louise Penny, Leon has cultivated an utterly devoted audience, ever anxious to get to know more about her characters.” ―Booklist (starred review) “Redolent, as always, with the sights, smells, sounds, and mealtimes of the water-immersed city. . . . In Leon’s latest, a pleasantly deceptive lull . . . is dissolved with deadly force.” ―The Seattle Review of Books

Karl Marlantes’s debut novel Matterhorn has been hailed as a modern classic of war literature. In his new novel, Deep River, Marlantes turns to another mode of storytelling―the family epic―to craft a stunningly expansive narrative of human suffering, courage, and reinvention.In the early 1900s, as the oppression of Russia’s imperial rule takes its toll on Finland, the three Koski siblings―Ilmari, Matti, and the politicized young Aino―are forced to flee to the United States. Not far from the majestic Columbia River, the siblings settle among other Finns in a logging community in southern Washington, where the first harvesting of the colossal old-growth forests begets rapid development, and radical labor movements begin to catch fire. The brothers face the excitement and danger of pioneering this frontier wilderness―climbing and felling trees one-hundred meters high―while Aino, foremost of the books many strong, independent women, devotes herself to organizing the industry’s first unions. As the Koski siblings strive to rebuild lives and families in an America in flux, they also try to hold fast to the traditions of a home they left behind.Layered with fascinating historical detail, this is a novel that breathes deeply of the sun-dappled forest and bears witness to the stump-ridden fields the loggers, and the first waves of modernity, leave behind. At its heart, Deep River is an ambitious and timely exploration of the place of the individual, and of the immigrant, in an America still in the process of defining its own identity.

“First-rate . . . Lawson’s series is the closest thing on the market today to the witty political thrillers of the late, great Ross Thomas.” —BooklistAuthor of House Witness, 2019 Edgar Award Finalist for Best Novel As the fixer for Congressman John Mahoney in Washington, DC, Joe DeMarco has had to bend and break the law more than a few times. But when Representative Lyle Canton, House Majority Whip, is found shot dead in his office in the US Capitol and DeMarco is arrested for the murder, DeMarco knows he’s been framed. Locked up in Alexandria awaiting trial, he calls on his enigmatic friend Emma, an ex-DIA agent, to search for the true killer. Emma’s investigation leads her to a ruthless and competitive CEO who had a motive for killing Canton, related to a personal connection from long ago. But the case the F.B.I. has built against DeMarco is airtight, and not a single piece of evidence points to the CEO. Using her cunning and her DC connections, Emma sets out to prove that the powerful businessman has been using some fixers of his own. Featuring crimes of passion, corporate corruption, and partisan feuds, House Arrest is the latest fast-paced read from “a reliably excellent writer” (The Seattle Times). “A great author.” —Lisa Gardner

The story of the British-made bombs, Upkeep and Highball, successfully dropped on Nazi dams “has never been told in such depth before” (Daily Mail, UK). The night of May 16, 1943: Nineteen specially adapted Lancaster bombers take off from an RAF airfield in Lincolnshire, England, each with a huge nine-thousand-pound cylindrical bomb strapped underneath it. Their mission: to destroy three hydroelectric dams that power the Third Reich’s war machine. It was a suicide mission from the outset. First the men had to fly extremely low, at night, and in tight formation over miles of enemy-occupied territory. Then they had to drop with pinpoint precision a complicated spinning cylindrical bomb that had never before been used operationally. More than that, the entire operation had to be put together in less than ten weeks in order to hit the dams when water levels were still high enough for the bombs to be effective. The visionary aviation engineer Barnes Wallis hadn’t even drawn up plans for his concept when the bouncing bomb was green-lighted. What followed was an incredible race against time that, despite numerous setbacks, became one of the most successful and significant bombing raids of all time. “Holland has delved into the new trove” of declassified documents “to shed light on this weapons program, the politics of its development and the eventual mission” (The Wall Street Journal). “An impeccably researched work in the style of a fast-paced techno-thriller.” —Publishers Weekly “Extremely detailed but never dull . . . Holland offers a definitive, nuts-and-bolts history.” —Kirkus Reviews “A well-written study of engineering and invention operating under great pressure. . . . For all World War II history buffs.” —Library Journal, starred review

Karl Marlantes’s debut novel Matterhorn, a New York Times Notable Book and winner of the Center for Fiction’s Flaherty-Dunnan First Novel Prize, has been hailed as a modern classic of war literature. In his new novel, Deep River, Marlantes turns to another mode of storytelling—the family epic—to craft a stunningly expansive narrative that is no less rich and honest in its depiction of human suffering, courage, and reinvention.Born into a farm family in late nineteenth-century Finland, the three Koski siblings—Ilmari, Matti, and Aino—are brought up on the virtue of maintaining their sisu in the face of increasing hardship, especially after their nationalist father is arrested by imperial Russian authorities, never to be seen again. Lured by the prospects of the Homestead Act, Ilmari and Matti set sail for America, and the politicized young Aino, haunted by the specter of betrayal after her Marxist cell is disastrously exposed, follows soon after. Not far from the majestic Columbia River and in the shadow of Douglas firs a hundred meters high, the brothers have established themselves among a logging community in southern Washington, and it is here, in the New World, that each sibling comes into their own—Ilmari as the family’s spiritual rock; Matti as a fearless logger and the embodiment of the entrepreneurial spirit; and Aino as a fiercely independent woman and union activist who, time and again, sacrifices for the political beliefs that have sustained her through it all.Layered with fascinating historical detail, this is a novel that breathes deeply of the sun-dappled forest and bears witness to the stump-ridden fields the loggers, and the first waves of modernity, leave behind. At its heart, Deep River is an extraordinarily ambitious exploration of the place of the individual, and of the immigrant, in an America still in the process of defining its own identity.

A New York Times bestseller: “Brunetti amply displays the keen intelligence and wry humor that has endeared this series to so many.” —Publishers Weekly Commissario Brunetti’s latest assignment is to look into a minor shop-keeping violation committed by the mayor’s future daughter-in-law. Brunetti has no interest in helping his boss amass political favors, but has little choice but to comply. Then Brunetti’s wife comes to him with a request of her own. The sweet, simple-minded man who worked at their dry cleaner has just died of a sleeping pill overdose, and Paola loathes the idea that he lived and died without anyone noticing him, or helping him. Brunetti begins to investigate and is surprised when he finds nothing on the man: no birth certificate, no passport, no driver’s license, no credit cards. As far as the Italian government is concerned, he never existed. Stranger still, the dead man’s mother refuses to speak to the police. And as secrets unravel, Brunetti begins to suspect that an aristocratic family might be somehow connected to the mystery . . . “Leon’s success . . . is testament to the heartening fact that character counts in crime fiction.” —Booklist, starred review